
What's most interesting to me about Year Zero as presented is that it suggests an enormous thematic departure from the standard angst-to-anguish spectrum that has been de rigeur for Trent since Pretty Hate Machine. Even a casual perusal of the near-future world suggested in the various Year Zero websites would seem to indicate that the overriding themes of the work are paranoia and disillusionment. Couched though it may be in the clothes of speculative fiction, the idea of despondency in the face of neo-conservative/religious zealotry, the continuing erosion of personal freedoms and a runaway military industrial complex doesn't sound all that far-fetched to me. Frankly, as much as I generally feel topical songwriting runs a high risk of smug sanctimony, I can’t think of any subjects that are much more relevant or deserving of artistic discourse in our current political climate. This persavive atmosphere of distrust and doubt is an incredibly fertile creative ground to sew, certainly more than the increasingly unconvincing adolescent turmoil Trent was still leaning on as recently as With Teeth. That's right: Trent Reznor has made the switch to a pundit cum prophet of post-millenial tension. I never thought I'd see the day either.
2 comments:
I am reminded of this similar bit of Aphex Twin prankery from a few years back:
http://64.233.183.104/search?q=cache:WMcTZyYvojkJ:www.bastwood.com/aphex.php+&hl=da&gl=dk&ct=clnk&cd=1&client=firefox-a
Sorry. I suppose this URL would be a bit simpler:
http://www.bastwood.com/aphex.php
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